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"There are beings - and artifacts - against which we batter our intelligence raw, and in the end make peace with reality only by saying, “It was an apparition, a thing of beauty and horror."

The Claw of the Conciliator

(Gene Wolfe)

(Source: lifebythefifth, via alexanderraban)

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"Shyness has a strange element of narcissism, a belief that how we look, how we perform, is truly important to other people."

Andre Dubus (via sisyphean-revolt)

interesting

(Source: tranquillamente, via tierradentro)

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"Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them."

Brian Eno, A Year With Swollen Appendices, 1996. (via esperensnare)

Always reblog Eno (via thedanmorris)

Eno lets you in on a little truth. 8-bit, overcompressed, glitch art, what have you. Exploiting the limits of technology and making stuff to what it’s not really meant to do. That where art breaks things (and gets so popular that it goes on so many t-shirts that you get sick to death of it.)

(Source: imathers, via mendelpalace)

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"There is only one valuable thing in art: the thing you cannot explain."

Georges Braque, born on this day in 1882. (via loieloie)

(Source: sfmoma, via tierradentro)

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"You can’t build a reputation on what you’re going to do."

— Henry Ford (via digital-femme)

(Source: myeyelasheschatchmysweat, via digital-femme)

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"Following your bliss is useless. People are passionate about a lot of stupid things. It’s not a great mantra. Meaning, I think, comes from doing a full accounting of your limitations and assets, your passions and your weaknesses, your belief system and your fears, and then rubbing up against the things that cause you to panic, like an allergy skin scratch test, and find out what your reactions are. Once you figure out how you can contribute to the greater good, once you’re able even to define that, you take that information and pour yourself into one direction. Regardless of discomfort or regrets or what-ifs. (And then doing that over and over again, until death.) That does not fit on a T-shirt. That to me is more important than bliss, which would really just lead me back into bed, maybe with a bowl of corn flakes…"

Jessa Crispin (via austinkleon)

(via d-pi)

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"Evil is committed without effort, naturally, fatally; goodness is always the product of some art."

— Charles Baudelaire (via tierradentro)

(via tierradentro)

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"As for myself, in educational or explicational situations I try never to talk down. I always aim to talk just over the head, just within reach. Experience has showed me that the audience will rise to the occasion. (That is rather the purpose and joy of discourse, no?: that everyone in the discussion comes out the better for everyone else expanding their thinking? Talking down only dumbs down.) And that is very much to the purpose of optimistic literary elitism, and “high-brow” literature as a near whole: literature wants its audience to rise to its level, and will, when the opportunity arises, help them to that. There is an often spoken of characteristic of good, sophisticated literature: it is said it strives to teach the reader how to read it. Of course, the reader has to put in the effort. And there’s that rub again."

This article had a lot of things in it that bothered me and this article sort of helped me articulate what those things were. I don’t agree with either 100%, but there’s something in the simple-mindedness of the way Haig states his arguments that rubs me the wrong way. People should read what makes them happy, without question; people should also try to grow and learn and challenge themselves. For some reason that idea seems to take a lot of heat. 

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"If anyone tells you that a certain person speaks ill of you, do not make excuses about what is said of you but answer, “He was ignorant of my other faults, else he would not have mentioned these alone."

Epictetus (via phallusifer9)

(via coinlockerspawn)

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"It’s hard to tell the truth without upsetting people."

David Lynch  (via art-and-fury)

(Source: sleepyhearted, via art-and-fury)

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"And the other thing, Gary, that you also got to look at, too, is that a lot of guys that are doing mainstream superhero comic books, they’re breaking in at 19, 20, 21, 22 … this is like a dream of theirs, to work for this company. They’re looking for a steady paycheck, and even if they had something that was original, even if it’s there, it takes a lot of fight to get it out on paper, and a lot of people aren’t going to buck the system when they’re young. You don’t go on a new job and start telling the owners how to run their business. What ends up happening, I think, more than anything else, is a lot of originality is squashed by the time those people may be in a position to use it, they’ve forgotten what it was, or are out of practice, or they’re too comfortable doing what they’re doing that they never ever bring that to the surface again. They become the consummate professional, the contented guy. To me those are worse cusswords more than being an asshole, I guarantee it. I don’t want no fucking consummate professional, and I don’t want no contented guy. I want the guy who rams full speed into a brick wall, because I think those guys accomplish more things. If nothing else, they’re cooler to watch, anyway. ‘Look at that guy, he’s beating himself to a bloody pulp.’"

Todd MacFarlane

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"

And she had a vision, a vision of evil. Or not strictly a vision. She became aware of evil, evil, evil, rolling in great waves over the earth. Always she had thought there was no such thing—only a mere negation of good. Now, like an ocean to whose surface she had risen, she saw the dark-grey waves of evil rearing in a great tide.

And it had swept mankind away without mankind’s knowing. It had caught up the nations as the rising ocean might lift the fishes, and was sweeping them on in a great tide of evil. They did not know. The people did not know. They did not even wish it. They wanted to be good and to have everything joyful and enjoyable. Everything joyful and enjoyable: for everybody. This was what they wanted, if you asked them.

But at the same time, they had fallen under the spell of evil. It was a soft, subtle thing, soft as water, and its motion was soft and imperceptible, as the running of a tide is invisible to one who is out on the ocean. And they were all out on the ocean, being borne along in the current of the mysterious evil, creatures of the evil principle, as fishes are creatures of the sea.

There was no relief. The whole world was enveloped in one great flood. All the nations, the white, the brown, the black, the yellow, all were immersed, in the strange tide of evil that was subtly, irresistibly rising. No one, perhaps, deliberately wished it. Nearly every individual wanted peace and a good time all round: everybody to have a good time.

But some strange thing had happened, and the vast mysterious force of positive evil was let loose. She felt that from the core of Asia the evil welled up, as from some strange pole, and slowly was drowning earth.

It was something horrifying, something you could not escape from. It had come to her as in a vision, when she saw the pale gold belly of the stallion upturned, the hoofs working wildly, the wicked curved hams of the horse, and then the evil straining of that arched, fish-like neck, with the dilated eyes of the head. Thrown backwards, and working its hoofs in the air. Reversed, and purely evil.

She saw the same in people. They were thrown backwards, and writhing with evil. And the rider, crushed, was still reining them down.

What did it mean? Evil, evil, and a rapid return to the sordid chaos. Which was wrong, the horse or the rider? Or both?

She thought with horror of St. Mawr, and of the look on his face. But she thought with horror, a colder horror, of Rico’s face as he snarled “Fool!” His fear, his impotence as a master, as a rider, his presumption. And she thought with horror of those other people, so glib, so glibly evil.

What did they want to do, those Manby girls? Undermine, undermine, undermine. They wanted to undermine Rico, just as that fair young man would have liked to undermine her. Believe in nothing, care about nothing: but keep the surface easy, and have a good time. Let us undermine one another. There is nothing to believe in, so let us undermine everything. But look out! No scenes, no spoiling the game. Stick to the rules of the game. Be sporting, and don’t do anything that would make a commotion. Keep the game going smooth and jolly, and bear your bit like a sport. Never, by any chance, injure your fellow-man openly. But always injure him secretly. Make a fool of him, and undermine his nature. Break him up by undermining him, if you can. It’s good sport.

The evil! The mysterious potency of evil. She could see it all the time, in individuals, in society, in the press. There it was in socialism and Bolshevism: the same evil. But Bolshevism made a mess of the outside of life, so turn it down. Try fascism. Fascism would keep the surface of life intact, and carry on the undermining business all the better. All the better sport. Never draw blood. Keep the hemorrhage internal, invisible.

And as soon as fascism makes a break—which it is bound to, because all evil works up to a break—then turn it down. With gusto, turn it down.

Mankind, like a horse, ridden by a stranger, smooth-faced, evil rider. Evil himself, smooth-faced and pseudo-handsome, riding mankind past the dead snake, to the last break.

Mankind no longer its own master. Ridden by this pseudo-handsome ghoul of outward loyalty, inward treachery, in a game of betrayal, betrayal, betrayal. The last of the gods of our era, Judas supreme!

People performing outward acts of loyalty, piety, self-sacrifice. But inwardly bent on undermining, betraying. Directing all their subtle evil will against any positive living thing. Masquerading as the ideal, in order to poison the real.

Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror. But go on saving life, the ghastly salvation army of ideal mankind. At the same time secretly, viciously, potently undermine the natural creation, betray it with kiss after kiss, destroy it from the inside, till you have the swollen rottenness of our teeming existences. But keep the game going. Nobody’s going to make another bad break, such as Germany and Russia made.

Two bad breaks the secret evil has made: in Germany and in Russia. Watch it! Let evil keep a policeman’s eye on evil! The surface of life must remain unruptured. Production must be heaped upon production. And the natural creation must be betrayed by many more kisses, yet. Judas is the last God, and, by heaven, the most potent.

But even Judas made a break: hanged himself, and his bowels gushed out. Not long after his triumph.

Man must destroy as he goes, as trees fall for trees to rise. The accumulation of life and things means rottenness. Life must destroy life, in the unfolding of creation. We save up life at the expense of the unfolding, till all is full of rottenness. Then at last we make a break.

What’s to be done? Generally speaking, nothing. The dead will have to bury their dead, while the earth stinks of corpses. The individual can but depart from the mass, and try to cleanse himself. Try to hold fast to the living thing, which destroys as it goes, but remains sweet. And in his soul fight, fight, fight to preserve that which is life in him from the ghastly kisses and poison-bites of the myriad evil ones. Retreat to the desert, and fight. But in his soul adhere to that which is life itself, creatively destroying as it goes: destroying the stiff old thing to let the new bud come through. The one passionate principle of creative being, which recognises the natural good, and has a sword for the swarms of evil. Fights, fights, fights to protect itself. But with itself, is strong and at peace.

"

— D.H. Lawrence, St. Mawr

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"If two people love each other there can be no happy end to it."

— Ernest Hemingway (via theunquotables)

(via tierradentro)

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"That life is worth living is the most necessary of assumptions, and, were it not assumed, the most impossible of conclusions."

G. Santayana (via mycolorbook)

(via tierradentro)